Jerry had a solo LP on MCA at that time, called "Winter Love Affair," but joined the group as well. In 1981, Jerry Bell was invited into the group as one of the vocalists by Ralph Johnson of Earth Wind & Fire. Prior to signing with Motown, The Dazz Band was formerly known as Kinsman Dazz and includes the merging of Bell. He has also recorded as a solo artist in 1980 on MCA Records, releasing his solo LP "Winter Love Affair". After leaving The New Birth in 1979, he then would join up again with other friends, Philip Bailey, Ralph Johnson, Marlon McClain and become one of the lead vocalist for Motown recording artist Dazz Band. Later he would team up with more of his friends such as James Baker, Austin Lander and Tony Churchill and began to sing lead and backup vocals for New Birth. Jerry would later move to California were he would become friends with Marvin Gaye and learned many vocal and stage techniques as well as singing background vocals for Marvin Gaye. As life would have it, he would go back to Philadelphia and join forces with his best friends McFadden & Whitehead who were the top writers for Philadelphia International Records, recording such hits as "Ain't No Stopping Us Now," "Bad Luck," "Back Stabbers," "Cowboys to Girls," "For The Love Of Money," and many more. Jerry's vocal skills came from his mother, who was a church singer, Jerry also had a band out of Miami Florida named the Miami Ocean Liners, who later became KC & The Sunshine Band. Also starting with his own group while still in high school, known as The Delusions. One of his brothers is Archie Bell of Archie Bell & The Drells, which has the hits "Tighten Up," "Showdown," "I Can't Stop Dancing," "Let's Groove," and many more. His passion for music emanates from early vocal training while growing up in Philadelphia in a musical family which has produced gold and platinum albums for two decades. Jerry Bell is a stylist in all facets of life, whether it's singing, martial arts, or acting.
Dazz band let it whip chords tv#
First, you have Brick performing "Dazz" live on the great old TV show "Midnight Special" and you'll note that they speed it up considerably. Note to fellow music geeks: do not confuse this song or group with the Dazz Band, who came out later with the equally amazing "Let It Whip" (which truly had not a drop of jazz in it).īelieve it or not, I've got a few videos on this one.
Dazz band let it whip chords full version#
I actually ran out and got a copy of their album Good High (!!!) because the song's full version had a lengthy flute solo and some insane squealing analog synth bass going "wo-o-o-oIt's worth noting that after this song's success, Brick tried to make lightening strike twice with a follow-up called "Dusic" (!!) but that never made it! Wonder why? OK, so the words were stupid, but that truly didn't matter. This I had no problem getting into, although the lyrics, like most funk songs, were ridiculous.
This was badass funk, not more than one step away from The Ohio Players, that you could jam to. These guys were marketing savvy enough to call the style and the song "Dazz" - "disco" and "jazz" merged together, except that while you could absolutely dance to it, it was definitely not disco in any traditional sense of the word. I must have been sheltered from all of it in high school, but once in the dorms of Buffalo, if you wanted to hang out at any club, you could not avoid the 4/4 four on the floor and synchronized hi hat.īrick, and who knows where these guys were from (Atlanta, as I found out many years later), created this ingenious funk riff with clavinet chords, a thomping shuffle kick, a very splashy hi hat working the eighths, and what sounded like a clap and stick mixed together on the 2 and 4 beats. The golden eras of disco and funk overlapped in the 70's, and it seemed by the time I hit college in 1975, you couldn't go anywhere without hearing one or the other.Ī certified rock and soul kid away from home for the first time, I couldn't get into most disco until years later, when it was more of a nostalgia.
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